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Second Coming: Cathedral of the Blessed
Sacrament Getting $25 Million Makeover
Major work on the 118-year-old
church in downtown Sacramento includes restoring the original
dome to its former scale, new oak flooring, seismic strengthening
and upgrades to the sprinkler and fire alarm systems. The
project is scheduled to be completed in October 2005.
By Judith Stock
The major restoration project at the Cathedral of the Blessed
Sacrament on 11th Street in downtown Sacramento is turning
up some unique discoveries.
Built in 1886, and inspired by the Church of the Holy Trinity
in Paris, the structure is the largest remaining historic
Catholic cathedral on the West Coast. The original price tag
for the Italian Baroque structure topped $250,000; to renovate
the church today will cost $25 million.
The church infrastructure is giant redwood beams and cast-iron
pillars with walls of un-reinforced red brick covered in plaster.
The main beam of the cruciform structure runs 204 ft. with
a cross beam of 116 ft. The central tower reaches to a height
of 216 ft., crowned with an orb and gold cross, and the two
side towers rise 120 ft.
The restoration began in the spring, and the 45,000-sq.-ft.
project should be completed in October 2005.
"The direction from the bishop is to restore it, rehab
it and make it good for the next 100 years," said Harry
Hallenbeck, owner's representative and supervising architect
of Vanir Construction Management, Sacramento. "We are
putting back the historic fabric of the building so that people
will feel it was always meant to be that way."
A major element of the project is "the interior dome,
which was covered over in 1933 with a false dome," Hallenbeck
said. "We're restoring the original dome to its former
scale," he added.
The ceiling is 60-ft. high, and the dome when opened will
rise up another 50 ft. to reach 110 ft.
Hallenbeck said no documentation has been found on why the
original dome was sealed. He said water may have leaked through,
causing plaster to fall, or it may have been sealed up for
acoustical reasons.
"The 1930s dome will be removed and the historic dome
restored," said James W. Shepherd, associate partner
and project architect at Beyer Blinder Belle Architects &
Planners of New York. "The structure of the 1880s dome
is all still in place, but the finishes were removed,"
he added. "We've designed new dome finishes from historic
drawings and written descriptions of the dome from the 1880s'
newspapers."
Hallenbeck said that even though workers must deal with the
historic character of the building with no available documentation,
"part of the fun is in the discovery."
He said Vanir measured, studied the original plans, and did
virtually everything possible to discover how the building
works. "We haven't had anything that caused a costly
surprise, but we have been awed by what we found and wondered
how the structure lasted so long," he added.
Cynthia Adamson, vice president/project development at Harbison-Mahony-Higgins
Builders Inc. in Sacramento, said the seismic reinforcing
of the building required shoring up the dome with large beams
so the supporting columns could be reinforced.
"The beams extend from the basement to a height of 50
ft. and are a sight to see when one ponders what it took to
maneuver them into place within feet of historic, 100-year-old
stained glass," she said.
Roberto Marquez, HMH's superintendent, described the operation
as similar to propping the building up on crutches.
Successfully integrating a seismic design for a 118-year-old
building without jeopardizing the historic appearance was
no easy task. "Given the age of the structure and the
use of load-bearing masonry and timber construction, there
weren't a significant number of options on how to mesh new
structure into old," Shepherd said.
Shepherd added that the job includes restoring the exterior
envelope, which will require replacement of the existing failing
copper roofing; repairing and replacing historic stucco; patching
and/or replacing existing windows; and providing new below-grade
waterproofing and a perimeter drainage system.
The project also included upgrades to address seismic and
structural deficiencies; new design solutions to improve the
liturgical functions on the main level; upgrades to meet the
ADA code; sprinkler and fire alarm system; and redesign of
lower and main level to meet local building codes.
The lower level needed to be expanded for education classes
and a large multipurpose room to be used for weddings and
gatherings.
The original interior, decorated with colorful frescoes,
represents a collection of sacred motifs painted over the
life of the cathedral.
"In the 1980s the interior was yet again repainted with
a new decorative scheme," Shepherd said. The cathedral
received new stained glass and a new copper roof at the same
time.
Materials used in the restoration include marble on the main
aisle and altar platform as accents within the limestone flooring.
The new altar and tabernacle will also be made of marble,
and the new baptismal font will feature decorative marble
mosaic.
Slate will be used for flooring at the narthex, a vestibule
leading to the nave of the church, as well as the grand foyer
on the lower level. As part of the plan, new granite will
decorate the redesigned main entrance stairs and the new handicapped
ramp. The rest of the cathedral will get new oak flooring.
"Beyer Blinder Belle and Horton Lees Brogden Lighting
Design of New York designed a new lighting scheme that highlights
the new liturgical elements including the baptismal font,
altar, tabernacle, bishop's chair and reservation chapel,"
Shepherd said.
Similarly, the entire exterior lighting scheme will highlight
the cathedral against the night skyline of Sacramento.
The architect worked with Shen Milsom & Wilke/Paoletti
in San Francisco to develop a new sound system to make certain
the spoken word would be heard clearly from any location within
the main level.
Other technologies include the use of a product designed
to minimize the effect of lead-based paint during demolition.
"This is the first time HMH has used Pretox 2000, a
spray-applied encapsulate that allows the painted plaster
and brick to be removed from the columns in a more safe and
controlled manner," said Harbison-Mahony-Higgins' Adamson.
To keep down costs, Hallenbeck said, "We are working
hourly with the contractor and the architect." At the
same time, he said the project deserves a gentle hand because
of its historic nature and costs should be balanced with time
concerns.
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