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Some Style for South Park: CIM Group Opens
Gas Company Lofts in Los Angeles
The loft-style apartment building
in the city's downtown includes 251 units and street-level
retail. The residential project represents the first of four
phases--a $247 million venture of Los Angeles-based developer
CIM.
By Greg Aragon
The heat is back on at the Gas Company buildings in downtown
Los Angeles.
After 14 years of vacancy, three historic structures-built
between 1924 and 1960-have been converted into 251, loft-style
apartments and 22,500-sq.-ft. of street retail in the city's
South Park district.
"It's a really cool and fun place to live," said
resident Joe Kim, who moved into a bamboo-floored loft in
late June. "I'm very close to work and will be able walk
to Staples Center for Laker games."
Officially opened at Eighth and Flower streets on May 12,
the $48 million Gas Company Lofts represents the first of
a four-phase, $247 million development headed by Los Angeles-based
CIM Group.
The next phase, called South Village, will be bordered by
Eighth, Ninth, Flower and Hope streets, and will include 1,200
units of rental and for-sale housing along with a Ralphs supermarket,
restaurants and other retailers on 7.2-acres.
"South Village will be a community that reflects Los
Angeles--a blend of old and new woven seamlessly into the
greater fabric of downtown," said Shaul Kuba, a founding
partner of CIM Group.
The conversion of the 380,727-sq.-ft. Gas Company Lofts
was led by Santa Monica-based Killefer Flammang Architects
and the Los Angeles office of the general contractor, Swinerton
Builders.
The original 13-story Gas Company headquarters was built
in 1924. The firm sold natural gas for stoves and heaters.
The building was designed in a Renaissance Revival style by
the father-son team of John Parkinson and Donald B. Parkinson,
who also gave Los Angeles such downtown landmarks as City
Hall and Union Station.
In 1942, the Gas Company engaged renowned architect Robert
Derrah to design a six-story expansion that combined Modern
Minimalism and Art Deco styling. A third building, designed
by Los Angeles-based A.C. Martin Partners Inc., was added
18 years later.
Mike Pulley, Swinerton's senior project manager, said that
because the three separate buildings stand side by side, getting
them to meet current seismic requirements was the project's
greatest hurdle.
The buildings had to be seismically tied together by the
use of large steel plates, known as drag struts.
These plates, which measure up to 60 -ft. long, have Nelson
studs on them, which were drilled into the concrete decks
of each building and then set into the existing slabs with
epoxy to tie the buildings together. Each of the 25 drag struts
used on the project measured 3/8-in. thick and ranged from
14- to 18-in. wide.
Pulley said the real work came in aligning the drag struts
and recessing the existing concrete slabs for the thickness
of the drag plate.
"All three buildings had concrete bond beams that were
running in different directions [and we had] to identify the
exact location of the bond beams," he added. "In
one building, the bond beams were running north to south.
In the connecting building, the bond beams were running east
to west.
"At the top of the slab, where the concrete was recessed,
we had to drill 2.5-in. holes into the bond beams to receive
the Nelson studs that were attached to the drag plate. The
drag plate with the Nelson studs was aligned and the drag
plate and studs were set in place, level with the top of the
concrete slab. The 1.5-in. holes were then grouted."
Located at 800, 810 and 820 S. Flower St., the Gas Company
Lofts are not only a block from Staples Center, but they are
also a short walk to the Los Angeles Convention Center, Metro
Blue Line and Macy's Plaza shopping center.
The historic exterior architecture of the buildings is complemented
on the inside by modern amenities and quality finishes such
as gourmet kitchens with granite counters and stainless steel
appliances, tiled bathrooms with vanities, ultra-hip lighting
and fixtures; and walk-in closets.
With an open, rustic feel, many of the lofts have exposed
ceilings, concrete beams and concrete, bamboo or cork floors.
Jessica Fairchild, project manager with Santa Monica-based
Killefer Flammang Architects, said a lot of thought and planning
went into designing around three protected historical landmarks
with many construction restrictions.
"Everything is set [on historical buildings],"
she said. "To make a living unit that's nice, based on
all the parameters, is sort of a puzzle."
She said the most perplexing piece was the six-story building
built in 1960, which had no operable windows.
"We took out some of the metal panels that were on the
façade and replaced them with about 90 aluminum windows,"
Fairchild said. "So we really changed the façade
of that building."
She said that these changes, although necessary, led to several
strategy sessions between her company, the Los Angeles Redevelopment
Agency and the historical architect, Sherman Oaks-based Chattel
Architecture Planning & Preservation Inc.
"We had to go back and forth with the historic folks
to figure out how it was all going to work," Fairchild
added.
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